Related Paintings of unknow artist :. | Landsberg Castle | Lady Cotton and her son | Arab or Arabic people and life. Orientalism oil paintings 12 | Blumenvase | Seascape, boats, ships and warships. 37 |
Related Artists:
Theodor Kittelsen
1857-1914,was a Norwegian artist born in the coastal town of Kragero in Norway. He is famous for his nature paintings on the one hand, and on the other hand for his illustrations of fairytales and legends, especially of trolls. For a time, Kittelsen studied painting and watchmaking. When his talent was discovered by Diderich Maria Aall, he attended classes at the School of Art in Christiania (the present Oslo). Because of generous financial support by Aall he was able to continue his study in Munich. However, in 1879 Diderich Aall could no longer manage to support him, so Kittelsen had to earn his money as a draughtsman for German papers and magazines. When back in Norway, he found nature to be a great inspiration. Kittelsen started to write texts to his drawings here. In 1881, Kittelsen was hired to illustrate Norwegian fairy-tales by the Norwegian folklore collector Peter Christen Asbjornsen. His style could be classified between (Neo-)Romantic and naive painting. As a national artist he is highly respected and well known in Norway, but does not receive much international attention, which is the reason that his name is hardly registered in registers of painters. Black metal bands such as Burzum have used nearly all of his pictures as album art, notably illustrations taken from Kittelsen book Svartedauen (The Black Death).
Constantin Meunier
(12 April 1831 - 4 April 1905), Belgian painter and sculptor, was born in Etterbeek, Brussels. His first exhibit was a plaster sketch, "The Garland," shown at the Brussels Salon in 1851. Soon afterwards, on the advice of the painter Charles de Groux, he abandoned the chisel for the brush. His first important painting, "The Salle St Roch" (1857), was followed by a series of paintings including "A Trappist Funeral" (1860), "Trappists Ploughing" (1863), in collaboration with Alfred Verwee, "Divine Service at the Monastery of La Trappe" (1871) and episodes of the German Peasants' War (1878). About 1880 he was commissioned to illustrate those parts of Camille Lemonnier's description of Belgium in Le Tour du monde which referred to miners and factory-workers, and produced "In the Factory," "Smithery at Cockerill's," "Melting Steel at the Factory at Seraing" (1882), "Returning from the Pit," and "The Broken Crucible" (1884). In 1882 he was employed by the government to copy Pedro de Campaña's "Descent from the Cross" at Seville, and in Spain he painted such characteristic pictures as "The Cafe Concert," "Procession on Good Friday," and "The Tobacco Factory at Seville" (Brussels Gallery). On his return to Belgium he was appointed professor at the Louvain Academy of Fine Arts. In 1885 he returned to statuary and produced " The Puddler," "The Hammerer" (1886), "Firedamp" (1889, Brussels Gallery), "Ecce Homo" (1891), "The Old Mine-Horse" (1891), "The Mower" (1892), "The Glebe" (1892), the monument to Father Damien at Louvain (1893), "Puddler at the Furnace" (1893), the scheme of decoration for the Botanical Garden of Brussels in collaboration with the sculptor Charles van der Stappen (1893), "The Horse at the Pond," in the square in the north-east quarter of Brussels, and two unfinished works, the "Monument to Labour" and the Zola monument, in collaboration with the French sculptor Alexandre Charpentier. The "Monument to Labour," which was acquired by the State for the Brussels Gallery, comprises four stone bas-reliefs, "Industry," "The Mine," "Harvest," and the "Harbour"; four bronze statues, "The Sower" "The Smith" "The Miner," and the "Ancestor"; and a bronze group, "Maternity". Meunier died at Brussels on 4 April 1905. Constantin Meunier was a freemason, and a member of the lodge Les Amis Philanthropes of the Grand Orient of Belgium in Brussels. He was one of the cofounders of the Societe Libre des Beaux-Arts of Brussels. In 1939, a museum dedicated to him was opened in the last house in which Meunier lived and worked, in Ixelles. Today about 150 of his works are displayed there.
Jacob Ochtervelt
(1634, Rotterdam - 1682, Amsterdam), was a Dutch Golden Age painter. According to the RKD he was active in Haarlem where he was a student of Nicolaes Pietersz Berchem and later he moved back to Rotterdam (1655-1672) where he was a pupil of Ludolf de Jongh. After the rampjaar he moved to Amsterdam